Franz Josef Haydn

The South Bend Symphony Orchestra and The South Bend Chamber Singers


June H. Edwards Mosaic Series

Haydn Paukenmesse

In Celebration of the 30th Anniversary of The South Bend Chamber Singers, also featuring I Will Lift Mine Eyes, Alleluia and Ave Verum by Jake Runestad.

Sunday, March 24, 2019

2:30 p.m.
DeBartolo Performing Arts Center
University of Notre Dame, South Bend, IN


Alastair Willis

Alastair Willis Conductor

Jake Runestad

Jake Runestad - Composer


I Will Lift Mine Eyes and Alleluia by Jake Runestad
Ave Verum by Jake Runestad
Paukenmesse by Franz Josef Haydn

This collaboration with the South Bend Symphony Orchestra features two a cappella choral works and a new work by young American composer Jake Runestad for chorus and string orchestra.  It received its premiere in April, 2017, at the Kennedy Center.  Runestad writes of this work:

“The exaltation of composers like Wolfgang Amadeus Mozart often places them in the realm of gods or saints, and at times we forget their humanness. When artistic director Scott Tucker and I discussed the theme for this commissioned work, his desire was to pair the work with Mozart’s Ave Verum Corpus. Attempting to create a work to be presented alongside one of Mozart’s is an intimidating endeavor. However, I began to consider Mozart’s humanness and wonder what he might have been thinking and feeling as he wrote Ave Verum Corpus (as well as his Requiem) — how did his own experiences and complexities participate in his inner monologue for this iconic music? After considering various traditional Latin texts, I asked my good friend and frequent collaborator, Todd Boss, to create a text that explores this question.

Mozart’s serene music seems a disjunct pairing with the crucifixion image of the Ave Verum text, and Todd’s poem so beautifully captures a possible reason for Mozart’s intent. To deepen the connection to Mozart, my work is built on musical fragments from two works written in the final year of his life: Ave Verum Corpus and Requiem. I hope that this new work might contextualize Mozart’s humanness and illuminate the personal meaning behind one of his most beloved works.”

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